Elliott Smith, ‘Misery Let Me Down’

Another unreleased tune from the late, great Elliott Smith has surfaced after college radio station WMUC found a live session that was hidden in the vaults for over a decade. Dating back to the middle of 1997 (between the release of Either/Or and XO), the song was a warmup for Smith’s 10-song set, which explains why he cuts it short abruptly just under two minutes. Even in its off-the-cuff, truncated form, this hushed gem does the legacy of my favorite musician plenty of justice.

Previously: 5 Early Elliott Smith Demos


Video: Seth Avett & Jessica Lea Mayfield Cover “Twilight”

The Avett Brothers are “three-quarters of the way done” with their next Rick Rubin-produced LP, and perhaps the most intriguing potential preview of the forthcoming set — in addition to new tune “The Once and Future Carpenter” — is the fact that Seth Avett has been honoring the late, great Elliott Smith in recent months. Most notably, his take on “Angeles” proved an ability to invoke Smith’s near-inimitable balance of delicate, nuanced emotion with daunting technical chops. This week in Oakland, California, Avett and Jessica Lea Mayfield brought the house down with a reverent duet rendition of late-period Smith tearjerker “Twilight.” Check out a decent fan-shot clip above.

Stream: Elliott Smith – “Untitled (Mailman Thinks Me Dumb)”
The latest volume of former Elliott Smith classmate Kevin Moyer’s new benefit compilation, Live From Nowhere Near You, features a slew of previously unreleased tracks from the likes of Wilco, Bright Eyes, and others. For Elliott Smith’s posthumous contribution, Moyer not only got the blessing of his family, but he also worked closely with Smith’s former producer and official archivist, Larry Crane, to unearth a mysterious track they’ve dubbed “Untitled (Mailman Thinks Me Dumb),” a song co-written by Elliott’s A Murder of Crows bandmate Garrick Duckler (originally titled “The Real Estate”) that is believed to have been re-recorded circa the Either/Or era. Pre-order the collection, which benefits homelessness charity Outside In, and preview the latter recording — put to tape and performed entirely by Smith — over at Pitchfork.
Previously: Elliott Smith Doc News + 5 Unreleased Songs Surface

Stream: Elliott Smith – “Untitled (Mailman Thinks Me Dumb)”

The latest volume of former Elliott Smith classmate Kevin Moyer’s new benefit compilation, Live From Nowhere Near You, features a slew of previously unreleased tracks from the likes of Wilco, Bright Eyes, and others. For Elliott Smith’s posthumous contribution, Moyer not only got the blessing of his family, but he also worked closely with Smith’s former producer and official archivist, Larry Crane, to unearth a mysterious track they’ve dubbed “Untitled (Mailman Thinks Me Dumb),” a song co-written by Elliott’s A Murder of Crows bandmate Garrick Duckler (originally titled “The Real Estate”) that is believed to have been re-recorded circa the Either/Or era. Pre-order the collection, which benefits homelessness charity Outside In, and preview the latter recording — put to tape and performed entirely by Smith — over at Pitchfork.

Previously: Elliott Smith Doc News + 5 Unreleased Songs Surface

Video: Seth Avett Covers Elliott Smith

In which an Avett Brother turns in a sweet, reverent take on one of the most well-known songs by my favorite singer-songwriter. It’s stunning to hear — yet again — how well Elliott Smith’s tunes have endured over the years. Enjoy Seth Avett’s solo acoustic cover of 1997 Either/Or cut “Angeles” above, and head over here for a host of clips he has shared on YouTube.

It’s been almost 8 years since Elliott Smith, one of the best singer-songwriters of all time, died at only 34 years old, and yet many unanswered questions still loom about his life and tragically premature death. (The Los Angeles Coroner’s Department left the official cause of death open, as they determined that “trauma that he sustained could have been inflicted by him or by another.”)  In a new documentary titled Searching for Elliott Smith, however, director Gil Reyes seeks to shed light on these subjects through interviews with Smith’s close friends, collaborators (such as Good Will Hunting director Gus Van Sant), and former girlfriend Jennifer Chiba, who was with Smith when he passed in 2003. We first mentioned this project two years ago, when it had begun making the rounds on the film festival circuit, but now it’s set to screen at the L.A. New Wave International Film Festival. 24B pal and Rawkblog mastermind David Greenwald met up with Reyes recently for a must-read interview published on the Los Angeles Times’ Brand X today.

Meanwhile, Smith left behind a treasure chest of previously unheard recordings, some of which have been released posthumously in the form of 2004’s From a Basement on the Hill and 2007 double-disc New Moon. Unreleased gems still surface now and then, as well, including five songs of unconfirmed origin that first appeared on YouTube this March. In all honesty, I’ve been on the fence about pointing these out, as Smith’s legacy is held sacred to myself and many, but in the context of documenting the work of my personal favorite musician, I’d be remiss in not sharing. If you’re new to Smith, start out with a proper introduction, but otherwise, you can check out 5 degraded, lo-fi recordings that were most likely drawn from early demos below:

Announced less than a week following what would have been the late, great Elliott Smith’s 41st birthday, An Introduction to… Elliott Smith, a 14-track compilation that includes cuts from my favorite singer-songwriter’s full 5-album solo catalog, an early version of his Oscar-nominated song “Miss Misery,” and tunes off the posthumously released New Moon double-disc and From a Basement on the Hill LP will hit shelves on November 2 via Kill Rock Stars.

Though longtime — or even casual — fans won’t find anything particularly exciting about this release (important songs from Smith’s inimitable career are notably absent due to presumed contractual issues), KRS and Co. are merely hoping to acquaint a new generation of future fans with one of the best songwriters of all time. (An honorable undertaking, I’d say. If you’ve never heard Smith before, this is a fine introduction.)

Download one track off the comp, Either/Or’s “Between the Bars,” here, and check out the full tracklist below:

Watch: Ben Folds Covers Elliott Smith - “Say Yes”

What a pleasant surprise tonight: Ben Folds has once again honored his former friend of “a couple of weeks” in song. Back in 2005, Folds penned “Late” for Elliott Smith, which largely succeeded by staying true to his dual perspective as a fan of the late singer/songwriter/god and acquainted musical contemporary to the man. (Not to mention it’s fun to imagine Elliott and Folds playing some “dirty basketball” back in the day.)

For the latest installment of the A.V. Club’s “Undercover” (via @crumbler), Folds thankfully didn’t choose the worst song of the lot, opting instead for Smith’s classic 1997 Either/Or closing track, “Say Yes.” Truth be told, upon first seeing this tune on the potential list, it made me nervous: Some Good Will Hunting fan is gonna muck this thing up, I thought. Folds nails it though: Watch him cover my favorite musician, living or otherwise, above.

Two new Elliott Smith reissues are on the way next month, so now is as good a time as any to point to a rare, recently-unearthed interview from a pivotal time in the late singer-songwriter’s career. Dead Melodies posted this Q&A and music video feature with Smith’s first post-High School rock band, Heatmiser, which they believe was filmed on January 1, 1996 in Portland, Oregon.

Though I’m not entirely sure their date is correct, the year is what makes this most compelling: Smith had already released two solo albums on indie labels, at this point, while Heatmiser were prepping their Virgin Records debut, Mic City Sons (an album that was ultimately released on Caroline Records). As subsequent interviews suggest, Smith’s solo success was causing some tensions between he and co-frontman Neil Gust during this time, which contributed to the band’s demise. None of those tensions are apparent in this interview, however, as all three bandmates appear in good spirits throughout the clips featured.

Here are a few of today’s bookmarked links worth noting…

  • After being rejected seven times, the Stooges will finally be inducted into the Rock and Roll Hall of Fame, alongside Genesis and ABBA. “Am I still cool? Or is that over now?” Pop asked himself after hearing the news.
  • Elliott Smith’s first solo LP, Roman Candle, and posthumous album From a Basement on the Hill will be reissued by Kill Rock Stars this spring (the former has been remastered by Larry Crane as well). For more info and a free MP3 of unreleased gem “Cecilia/Amanda” go thataway.
  • Ex-R.E.M. drummer Bill Berry came out of retirement to record protest song “Crazy Like a Fox” on R.E.M.’s annual holiday single. The bad news: Michael Stipe and Peter Buck aren’t on the track. Slicing Up Eyeballs has the scoop.
  • Brendan Benson sounded off a bit on how he felt “underappreciated” by the press for his role in the Raconteurs. “Jack [White] was the most publicized thing about The Raconteurs,” he said. “And I think, unfortunately, he sort of eclipsed the other guys in the band.”